|
Thank you for subscribing
to The Singing Spot Newsletter. Our goal is to provide you
with quality information on singing and vocal production,
including tips, articles, lessons, product reviews, product
highlights, new sites to visit and more.
The Singing Spot Newsletter
is an opt-in list only. We never send unsolicited email. If
you have received this email in error, please use the unsubscribe
link at the end of this newsletter to remove your name. All
personal information is private and never shared or sold.
|
BACK
TO SCHOOL SPECIAL!!! |
Want to get
the lead in this year's school musical? Want to blow everyone
away by getting the solo at the Christmas concert? Get started
ahead of time with this great back to school special:
BUY
THIS... |
And
get this for FREE |
|
|
|
|
| HOW?
Add the Singing Success product to your shopping
cart at http://SingerCity.com
and accept the free offer when prompted. Get started right
away with your singing lesson instant download while you
wait Singing Success to arrive in the mail! Order
now. |
|
| |
 |
QUESTIONS
ANYONE?
with Vocal Expert Mark Baxter |
QUESTIONS ABOUT YOUR PERSONAL HABITS
Page numbers refer to detailed explanations in the Rock &
Roll Singer Survival Manual
Q. Will one drink hurt?
A.
Definitely not (page 14).
Q. How does alcohol hurt your
voice?
A. Alcohol dries your vocal folds which need to be wet so
the two don't mix well.
Q. Why do I sing better when I drink?
A. That's what you think. Actually it's true that liquor will
relax muscles and reduce inhibitions; the trouble has always
been discovering you drank too much, too late. There is an
easier way......(page 193).
Q. Can I drink after I sing?
A. That depends on your schedule. Remember the drying qualities
of alcohol won't take effect until you're asleep. When you
wake, you'll have to work to regain the voice.(page 16).
Q. Are cigarettes harmful to my larynx?
A. Yes (page 10).
Q. What about occasional smoking?
A. Less harmful because you allow for recovery. Your body
appreciates moderation.
Q. What's a good way to quit smoking?
A. (page 10).
Q. Is junk food bad for my voice?
A. Yes, it doesn't provide the lasting energy necessary to
sing. Sugar eats up vitamins and leaves you depleted after
the inital charge (page 27).
Q. Does eating on the run hurt my
voice?
A. Your body needs to focus energy to digest efficiently.
The stress of rushing around while cramming food creates mucus
because the system is over-taxed. If the dashboard and floor
of your car is littered with McDonald's bags, it's time to
re-think your schedule (page 24).
Copyright
© Mark Baxter. All rights reserved worldwide.
|
Questions
& Answers above found in
Mark Baxter's:
ROCK AND ROLL
SINGER SURVIVAL MANUAL
Tune
in next time for questions about your routine!
Also,
check out these other cool vocal training products by
Vocal Expert Mark Baxter. If you are a serious singer,
you can never have too many qualified teachers. These
should be part of your library! |
| |
|
|

|
|
VOCAL
HEALTH HIGHLIGHT
We get lots of questions about vocal
health products, so we have devoted
a section to tell you about a new product with each issue.
Back to the Top. |
|
We
get phone calls every day from singers asking which products
are good for specific purposes. Below is this newsletter's
featured product, CLEAR VOICE, to consider
keeping on hand:
 |
Clear
Voice
Have a rasp you just can't shake? This product just
might do the trick for you. Available in six different
flavors, this product is highly recommended by rock
singers due to the strain rock "screaming"
can initiate. Also, if you are in a variety show where
you have to move from songs made famous by Janis Joplin
to those highly recognized ballads like Unchained Melody...this
just might help raise your comfort and your confidence
level. You can use this product during performance...but
of course we recommend using it during rehearsal first! |
| |
TESTIMONIALS!
"Well,
short of rehearsals, I've found all I need. Clear
Voice. Even in smoky bars or with a cold, Clear
Voice has the ability to maintain the vocal clarity
of a healthy voice, and resurrect a scratchy,
cracking one from the dead."
Jim
Schweitzer, Randon Maxx |
"I've
used [Clear Voice] every time I've gone into the
studio the last few months and I'm sold on this
product. It is absolutely amazing and I've recommended
it to every person I know who sings."
Len
Jennings |
|
Remember...don't
wait until you really need this product to order it.
Overnight shipping costs more than the product and more often
than not, arrives the day after your important gig. You can't
get it from your local drug store, so visit http://SingerCity.com
today! Also NEVER ASSUME that UPS Next Day Air will get to
you the very next day. Many companies take 24-72 hours to
process your order and ship your product!
|
| COOL
STUFF FOR SINGERS
Back to Top. |
 |
SINGING
FREEDOM
INSTANT VOICE LESSON DOWNLOAD
by:
Sally Garozzo
The
Great Thing About Singing Is That Anyone Can Do It.
If You Can Speak You Can Sing..." The Singing Freedom
series is a step by step programme which is designed
to be your practice companion and coach you every step
of the way towards vocal freedom. After a few months,
when your friends and colleagues hear you, they won’t
believe it’s the same person!!
|
Here's
What You'll Gain From SINGING FREEDOM in just 2 Weeks...
-
More confidence to sing on your own or in front of an audience.
- You'll
learn to sing from scratch or polish up your existing technique.
- You'll
gain the ability to sing higher with more strength, clarity,
power and style.
- You'll
be able to extend your range safely.
- You'll
be able to move between vocal registers smoothly.
- You'll
have a more varied tone to your voice and be able to turn
on different voice qualities.
-
You'll sing more in tune and to hear notes better.
- You'll
have ability to sing through nerves.
- You'll
have better vocal health.
|
| |
| |
The
Musicians Guide to Recording Vocals
By Dallan Beck
Recording
Institute of Technology instructor Dallan Beck presents
a well thought-out tutorial on recording vocals that
all musicians and recording engineers can learn from.
MICROPHONES,
MIC PLACEMENT, COMPRESSION, EQUALIZATION, TRACKING VOCALS,
EFFECTS
The
accompanying CD contains 80 demonstration tracks for
listening.
Click
here to order now or learn just a few of the amazing
bits of information available in this book. |
Below
is the Introduction of this impressive book from the
author, Dallen Beck:
INTRODUCTION
(page 4)
When
I began writing and recording this book, my original
intention was to use the SSL or Neve Studios at
Musicians Institute in Los Angeles, California.
This is where I currently record and teach, and
where, on any given day, you could walk in and
hear an album being recorded or mixed for any
number of professional artists - from rock to
pop to blues to fusion. If you haven't seen either
of these two studios, they are beyond words: Each
outfitted with over one million dollars worth
of recording equipment. And this has become a
normal recording situation for me! (Hey it took
me ten long years to gain access to such high-end
equipment - why would I use anything else?
However,
I soon began to wonder whether it would be fair
to make a book/CD using this gear. Would it be
productive to the average reader/listener? What
was my goal in writing the book: To impress readers?
To overwhelm them with unrealistic expectations?
Or to give them a goal they could actually attain?
Of
course, it was the latter. So I chose to put myself
in your shoes. I built my own project studio,
took all the knowledge I could, and applied it
to a setting that you might be using right now.
I wanted this book/CD to be a text you could actually
use, not just look and listen to. I decided to
step back and remember when I first started recording,
and wished someone would've helped point me in
the right direction. Where was that book that
showed me actual examples, good and bad? Where
was that book that gave me great new ideas or
reminded me of old ideas I had possibly overlooked?
So
here it is: a basic guide to recording vocals.
I hope it's valuable to you now, because it would've
been valuable to me ten years ago. And when you
master everything in this book, well, then it
might be time for you to come down and see me
at the Recording Institute of Technology. |
|
|
FEATURED
ARTICLE
With
each issue we provide a featured article written by one of
the world's top vocal coaches.
Back to Top.
|
 |
Talent
Competition Tips Part 1 |
Winning “Idol” - or any talent competition
- Part 1
By Jeannie Deva Reality
TV
Popularity
of reality TV in general and singing contests specifically
has made American Idol a media sensation. At the same time,
it has created a wonderful opportunity for aspiring performers
while inspiring many to hold fast to their dreams.
Entering
into a competition like American Idol however, is the modern
day emotional equivalent of the gladiator fights in the old
Roman coliseum. And there sits Simon, like the emperor, ready
to determine your fate with a thumbs up or thumbs down. So
how to you enter such a competition and not only survive but
succeed in wowing the judges and an American audience well
enough to eventually win?
In
preparing for my appearance on “Idol Chat” on
the TV Guide Channel, I have been watching American Idol with
more scrutiny. Here are some of the errors many of the contestants
have in common:
1) Going off pitch or “being pitchy” as the judges
say.
2) Choosing the wrong song; this means that the song doesn’t
easily permit them to sound unique. Instead of showing their
own distinctive qualities as a singer, they sound like good
but boring “record copies.”
3) They don’t have a level of certainty vocally and
as a performer to put their all into the song without being
self-conscious, causing them to hold back or play it safe.
This results in an uncourageous and less than fully inspirational
performance.
Tough
Enough for Simon
Singing before a panel of judges and a TV audience may be
one of the hardest things a performer would ever have to do.
The pressure alone may cause you to make vocal mistakes that
would otherwise never occur. In order to withstand that pressure
well, a performer needs to be confident in each aspect of
their talent and not just because they tell themselves they
are, but because they really are.
Are
You Ready?
Winning a competition or any challenging task begins with
an attitude and carrying forward with a gradient approach.
That means that before you go on national TV before millions
of viewers and tough judges, you must master each of the simpler
earlier tasks that cumulatively add up to a great performance.
You crawl before you walk; you ride a tricycle before tackling
a bicycle and even then someone helps you steady it before
you go off on your own. Master the simpler, earlier steps
before moving on to more complex skills.
In
this season’s Idol top 24 finalists, the female contestants
were in general, better singers than the males. More of them
gave better performances as a result. They became good singers
before becoming good performers. I have observed during my
30 plus years of teaching voice, that about 70% of voice students
are female. Do we see a pattern here? A higher percentage
of females study and practice voice and we find the women
finalists on Idol are better singers and performers.
Good
Singer First
Do you have enough understanding of the voice and strong enough
vocal technique to sing with good pitch and tone when you
aren’t under the stress of live performance? Training
in proper voice technique and practice to develop your vocal
muscles needs to happen before you worry about song choice
and stylistic considerations. Trying to sing a song with appropriate
style before developing adequate vocal technique is like worrying
about correct accent in a language where you don’t even
know what the words mean – or yet, don’t even
know the language.
Even
these actions have many steps within them, like learning to
ride a bicycle, where you first do the simpler action and
then build it up to more complex skills. Your voice needs
to be developed and your performance skills need to be sharpened.
Vocal technique should allow you to come through your songs
and not restrict your personality and style. Your technique
is adequate when you have attained freedom of expression and
can deliver a song with good tone, consistency, control and
passion. Then you have to be able to do it in front of an
audience. The passion in your expression must come out without
creating vocal strain or off pitch, non-musical phrases.
Seek the help of a good vocal coach or at
least a self study course like my “Contemporary Vocalist”
and build your skill step at a time. In Part 2 of this Vocal
Tip we’ll address how to choose the right song and then
how to develop your performance skills to the point of wowing
the judges.
Until next time, keep on singing!
©2007 Jeannie Deva. All Rights Reserved. Reprinted with
permission.
| Study
with Vocal Coach Jeannie Deva
in the privacy of your own home! |
| |
The
Contemporary Vocalist, Vol 1.
This
easy and inexpensive course contains techniques designed
specifically for the kinds of sounds and demands that
are particular to singing Popular Music from Rock to
Rap, Folk to R&B, Broadway to Blues. Packaged in
an attractive plastic "travel-friendly" binder,
The Contemporary Vocalist by Jeannie Deva is a fully
illustrated 174-page book and four vocal exercise CDs.
If you already own The Contemporary Vocalist in cassette
format and would like to upgrade to CDs, contact us.
ORDER
NOW
Volume 2 also available!
|
| |
| |
THE
DEVA METHOD WARM-UPS AND COOL-DOWNS
One
(1) Audio CD, 22 Tracks, 52:17 Minutes
Singers
should always warm-up their voice before a rehearsal
or gig, But how? Here it is! Just pop this CD into your
car stereo on the way to your gig or rehearsal and follow
the instructions by Jeannie Deva.
You
will sail into the first song in your best form, with
throat muscles relaxed and your voice feeling free and
resonant! When you've completed singing, use this CD
again for a voice saving cool-down.
ORDER
NOW
|
|
| Jeannie
Deva is an international celebrity vocal coach, clinician,
recording studio vocal producer, trainer of voice teachers,
author of the Contemporary Vocalist and originator of
The Deva Method. She has appeared on national TV and
endorses TC-Helicon and Thayer’s products for
singers. For more information about her method or to
find a certified Deva Method® teacher, please visit
www.JeannieDeva.com.
Jeannie
Deva and The Deva Method are registered trademarks owned
by Jeannie Deva Enterprises, Inc. and used with permission.
|
|
|
|
|
|
| |
|
Looking
for something
NEW?
EXCITING?
SINGSATIONAL?
FREE?
CLICK
HERE!
|
WELCOME
LISA HERTZNER, OUR NEW EDITOR! |

Contact Lisa directly for private lessons, to provide
testimonials, to ask questions, to offer us suggestions,
etc.
Email Lisa
|
The
Singing Spot Ezine and Newsletter for Singers is now
being edited by Lisa Hertzner of Tampa, FL. Lisa holds
a Bachelors Degree in Music Education from the Crane
School of Music as well as a Masters Degree in Elementary
Education from SUNY Potdam.
Lisa
Hertzner taught High School, Middle School and Elementary
Music programs for over 10 years specializing in Show
Choir, Jazz Choir, Concert Choir,Women's Choir and Musical
Theater Productions. Lisa is currently working as a
professional singer throughout the Tampa Bay area and
teaching lessons as an associate to Yvonne DeBandi with
the Sing Smart, Not Hard Vocal Training Method.
|
|
Thank
you for reading.
See you next time!
|
|
www.TheSingingSpot.com
The Singing Spot - The Online Vocalist Resource - Link Directory, Newsletter
& E-zine
Copyright © TheSingingSpot.com - All Rights Reserved Worldwide. 2006
All articles reprinted with permission.
|